Leaf from a Manuscript of Valerius Maximus

Art Historical Context

This leaf from a manuscript of Valerius Maximus was created around 1380–1390 in the workshop of Pierre Remiet, a noted Parisian illuminator. Rendered in tempera, ink, and gold on parchment, the page exemplifies the refined book arts of late medieval France. Valerius Maximus’s ancient Roman collection of memorable deeds and sayings remained popular throughout the Middle Ages, offering moral and historical lessons often enhanced by vivid illustrations for aristocratic readers. Remiet’s workshop specialized in elegant illuminations that combined delicate line work with luminous gold accents. The surviving imagery features kings, bishops, altars, and the goddess Ceres, blending classical narratives with medieval Christian sensibilities. Gold leaf was applied to highlight important figures and sacred elements, creating a shimmering effect meant to be viewed by candlelight. As a fragment from a once-lavish volume, this leaf reflects the cultural prestige of illuminated manuscripts in 14th-century France. Today it resides in the Metropolitan Museum of Art’s collection of Medieval Art, inviting viewers to appreciate the artistry and storytelling traditions of the period.