Artheon MuseumArtheonMuseum
London, in 1851 by Queen Victoria|George Cruikshank|David Bogue

Medium

Etching

Dimensions

Plate: 8 3/4 × 11 3/8 in. (22.3 × 28.9 cm) Sheet: 12 1/2 × 19 11/16 in. (31.8 × 50 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1966

Accession Number

66.541.55(3)

Rights

Public Domain

Tags

LondonBuildingsCitiesCrowd

Art Historical Context

"London, in 1851" is a captivating etching that offers a vivid snapshot of Victorian London's bustling urban life. Created in 1851 by an intriguing collaboration—Queen Victoria, the renowned illustrator George Cruikshank, and publisher David Bogue—this print measures 8 3/4 × 11 3/8 inches on the plate. Housed in the Metropolitan Museum of Art's Drawings and Prints department, it depicts crowded streets lined with buildings, capturing the energy of a rapidly growing city during the height of the Industrial Revolution. Cruikshank, a master of satirical and detailed etchings, likely brought his signature precision to the intricate lines portraying the throngs of people and architectural details. Etching, an intaglio technique involving acid biting into a metal plate, allowed for fine, expressive lines that convey the chaos and vibrancy of urban crowds. Queen Victoria's involvement adds a royal touch; as an avid amateur artist, her participation underscores the era's blend of monarchy and popular culture. This work holds cultural significance as a document of mid-19th-century London, reflecting the city's transformation into a global metropolis. Visitors will appreciate its historical charm, evoking the sights and sounds of 1851 through masterful printmaking.

About the Artist

Queen Victoria|George Cruikshank|David Bogue · 1819–1901

Queen Victoria (1819–1901), the long-reigning British monarch, was also a dedicated and prolific artist whose creative output spanned more than six decades. Born Alexandrina Victoria, she received her first formal drawing lesson at the age of eight from the artist Richard Westall and continued her training under leading figures of the day, including Edward Lear. She later studied etching alongside...

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