Madonna of the Rose

Art Historical Context

Welcome to the Metropolitan Museum of Art's and Prints department, where *Madonna of the Rose*ants visitors with its delicate engraving. Created by Johann Christian Teucher the design of the renowned Italian Mannerist painter Parmigianino (Girol Francesco Maria Mazzola,1503–1540), this undated print captures the tender Madonna and Child motif, a staple of Renaissance devotion. Parmigianino's elegant, elongated figures and graceful poses—hallmarks of Mannerism—shine through in this reproductive work, evoking a sense of ethereal beauty and spiritual intimacy. Engravings like this one were revolutionary in the 16th and 17th centuries, transforming Parmigianino's original compositions into affordable, widely distributable images. Teucher's masterful technique in incising fine lines into a metal plate allowed for intricate details, such as the rose symbolizing purity and divine love cradled by the Virgin. This medium democratized high art, bringing sacred scenes into homes across Europe and fostering a deeper cultural appreciation for Italian Renaissance ideals. Acquired through the Harris Brisbane Dick Fund in 1927, *Madonna of the Rose* exemplifies the Met's commitment to preserving printmaking's legacy. Gaze closely at the subtle textures and luminous effects—testaments to the engraver's skill—and ponder how such images once inspired quiet prayer and artistic admiration alike.

About the Artist

Johann Christian Teucher|Parmigianino (Girolamo Francesco Maria Mazzola) (Italian|German|Italian) · 1740 |1716 |1665 –1750 |1750 |1747

Italian, active ca. 1740|German, 1716–1750|Italian, Bologna 1665–1747 Bologna