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Maria met Kind en engelen

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Maria met Kind en engelen

Ludovico Carracci

ca. 1595 - ca. 1610

Medium

etching

Dimensions

h 162mm × w 116mm

Collection

Rijksmuseum, Amsterdam

Materials

paper

Object Type

print

Subject Matter

Madonna: i.e. Mary with the Christ-child; engelen; angel(s) with censer

Production Place

Italy; Rome; Italy

Acquisition Method

transferred

Acquired

1816

Notes

collector's mark: Lugt 240

Collection Type

prints

About Ludovico Carracci

1555–1619 • Papal States

Lodovico's style is charaterized by being less classical than that of his younger cousins, Agostino and Annibale, his figures have a sense of other-worldliness, and he is more influenced by Mannerist art than his cousins. Like his cousins, he espoused the direct study of nature, especially through figure drawing; he was influenced by the paintings of Correggio and the Venetians.

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Title page to IL FUNERALE D'AGOSTIN CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno; title inside a cartouche with a globe and stars at top and a grotesque mask at bottom

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Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.

Five numbered scenes, each after a painter in the Accademia Degl'Incamminati, from IL FUNERALE D'AGOSTINO CARRACCIO FATTO IN BOLOGNA SUA PATRIA DAGL'INCAMINATI Academici del Disegno: 1. Virtue vanquishing Envy and Fortune, painted by Giulio Cesare Parigino; 2. Apollo and the Muses at the tomb of Agostino Carracci, painted by Luigi Valesio; 3. Mercury pointing to a constellation with the personification of Painting and that of the city of Bologna, Felsina, painted by Aurelio Benelli; 4. Personification of Painting being comforted by Poetry, and the personification of a river at right, painted by Lodovico Carracci; 5. Allegory of Knowledge and Vigilance chasing Envy out of Heaven, painted by Lorenzo Garbieri.

1603

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The Conversion of Saint Paul

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