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Mechanical table

Mechanical table by Jean Henri Riesener

Medium

Oak veneered with mahogany and marquetry of bois satiné, sycamore, holly, ebonized holly fillets, and bayberry, the top with an amaranth border; gilt-bronze mounts; mirror glass; iron and brass fittings; green velvet (not original)

Dimensions

Overall: 28 1/2 × 30 3/4 × 19 in. (72.4 × 78.1 × 48.3 cm)

Classification

Woodwork-Furniture

Culture

French, Paris

Department

European Sculpture and Decorative Arts

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Jules Bache Collection, 1949

Accession Number

49.7.117

Rights

Public Domain

Art Historical Context

Step into the opulent world of 18th-century French decorative arts with Jean Henri Riesener's * Table* (1781), a masterful example of Parisian cabinetmaking. Crafted during the Louis XVI period, this compact yet ingenious piece—measuring 28½ × 30¾ × 19 inches— served as a writing or dressing table, its "mechanical" featuresing at clever sliding mechanisms hidden compartments or adjustable surfaces, perfect for the refined routines of the aristocracy. Riesener, one of the era's premier ébénistes, employed exquisite marquetry techniques, veneering oak with mahogany, bois satiné, sycamore, holly, and ebonized fillets, framed by an amaranth border. Gilt-bronze mounts add neoclassical elegance, while mirror glass, iron-brass fittings, and (later-added) green velvet enhance its functionality and shimmer. These materials reflect the pinnacle of luxury woodworking, where intricate inlays created floral or geometric motifs symbolizing nature's harmony amid Enlightenment ideals. Acquired as part of The Jules Bache Collection in 1949, this table now graces The Metropolitan Museum of Art's European Sculpture and Decorative Arts department. It embodies pre-Revolutionary France's pursuit of mechanical sophistication and aesthetic perfection, inviting us to marvel at craftsmanship that blended utility with unparalleled beauty.

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