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Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix

Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix by Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi|Gaspar de Guzman, Count of Olivares and Duke of Sanlucar|Anonymous, Italian, 17th century

Medium

Engraving

Dimensions

Sheet: 15 7/8 × 26 5/16 in. (40.3 × 66.8 cm) Plate: 10 1/4 × 22 13/16 in. (26 × 58 cm)

Classification

Prints|Ornament & Architecture

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Bequest of Phyllis Massar, 2011

Accession Number

2012.136.529(6)

Tags

MenMinerva

Art Historical Context

At the apex of this dramatic 17th-century engraving the goddess Minerva triumphs over the chaotic Giants below, her shield raised and arrow poised in a classic Gigantomachy scene from classical mythology. Created around 1677 by the renowned Baroque master Pietro da Cortona (ietro Berrettini), engraving by Giovanni Giacomo de Rossi this print is part of the series *Barberinae aula fornix*, celebrating the opulent architecture of the Barberini family's Roman palace. The involvement of Gaspar de Guzman, Count-Duke of Olivares—a powerful Spanish statesman—hints at the international patronage and p...

About the Artist

Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi|Gaspar de Guzman, Count of Olivares and Duke of Sanlucar|Anonymous, Italian, 17th century · 15961669

Pietro da Cortona, born Pietro Berrettini on November 1, 1596, in the Tuscan hill town of Cortona, emerged as one of the towering figures of Italian Baroque art, excelling as a painter, architect, and decorator. He received his early training under the Florentine painters Andrea Commodi and Baccio Ciarpi. In 1612, Commodi brought the young artist to Rome, where Pietro immersed himself in the city'...

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