東海道五十三次 宮|Miya

東海道五十三次 宮|Miya by Utagawa Hiroshige

Medium

Woodblock print; ink and color on paper

Dimensions

8 1/2 x 6 1/2 in. (21.6 x 16.5 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1914

Accession Number

JP97

Tags

BoatsGatesHuman Figures

Art Historical Context

Utagawa Hiroshige's *Tōkaidō Gojūsan-tsugi: Miya* (ca. 1838) is a captivating woodblock print from his renowned series *The Fifty-three Stations of the Tōkaidō*. This intimate chuban-sized work (8½ × 6½ in.) depicts the bustling post station at Miya, the 47th stop along the historic coastal highway connecting Edo (modern Tokyo) to Kyoto. Vivid ink and color on paper bring to life gates, human figures, and boats dotting the scene, evoking the lively rhythm of travelers and merchants during Japan's Edo period (1615–1868). Hiroshige, a master of the ukiyo-e ("pictures of the floating world") tra...

About the Artist

Utagawa Hiroshige · 18261869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...

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