Artheon MuseumArtheonMuseum

Modish and Prudish

Modish and Prudish by Thomas Rowlandson|S. W. Fores

Medium

Hand-colored etching

Dimensions

Sheet (trimmed and inset): 10 3/8 × 15 1/4 in. (26.3 × 38.7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.2040

Rights

Public Domain

Tags

Women

Art Historical Context

**Modish and Prudish** is a lively hand-colored etching by the renowned British caricaturist Thomas Rowlandson, published by S. W. Fores on December 1, 1791. Measuring 10 3/8 × 15 1/4 inches, this satirical print captures the fashion extremes of late 18th-century London society, contrasting a flamboyantly "modish" woman in extravagant, revealing attire with her "prudish" counterpart draped in severe, modest garb. Rowlandson, a master of humorous social commentary, often poked fun at the absurdities of class, gender, and style during the Georgian era, when rapid changes in women's fashion reflected shifting cultural norms amid the Enlightenment and pre-Revolutionary fervor. The hand-coloring technique—applied by hand after etching—was a hallmark of high-end satirical prints, enhancing their visual punch and market appeal for middle-class buyers. This vivid watercolor-like finish brought Rowlandson's exaggerated figures to life, amplifying the comedy of human vanity. Housed in the Metropolitan Museum of Art's Drawings and Prints department as part of The Elisha Whittelsey Collection, the work exemplifies the booming caricature industry, where artists like Rowlandson critiqued morality and excess, influencing later satirists from Hogarth to modern cartoonists. Today, it offers a window into 1790s gender expectations, reminding us how fashion has long been a battleground for propriety and rebellion. (198 words)

About the Artist

Thomas Rowlandson|S. W. Fores · 1756–1827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.