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木曽海道六拾九次之内 宮ノ越|Moonlit Night at Miyanokoshi, from The Sixty-nine Stations of the Kisokaidō

木曽海道六拾九次之内 宮ノ越|Moonlit Night at Miyanokoshi, from The Sixty-nine Stations of the Kisokaidō by Utagawa Hiroshige

Medium

Woodblock print; ink and color on paper

Dimensions

H. 9 5/8 in. (24.4 cm); W. 14 3/4 in. (37.5 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939

Accession Number

JP2871

Tags

BridgesTreesNightHuman Figures

Art Historical Context

In the moonlit glow of *Moonlit Night at Miyanokoshi*, Utagawashige captures a serene yet evocative moment along Japan's historic Kisokaidō road. Created around 1838 during the Edo period (1615–1868), this woodblock print is part of Hiroshige's renowned *Sixty-nine Stations of theokaidō* series, which depicts the 69 post stations on this vital inland route connecting Edo (modern Tokyo) to Kyoto. Rivaling his contemporary Hokusai's fame, Hiroshige's ukiyo-e style—meaning "pictures of the floating world"—brings everyday landscapes to life with poetic realism, making art accessible to commoners t...

About the Artist

Utagawa Hiroshige · 18261869

Utagawa Hiroshige (1797–1858), born Andō Tokutarō, was the last great master of Japanese ukiyo-e woodblock printmaking and one of the most influential landscape artists in history. Born in Edo (modern Tokyo) into a low-ranking samurai family serving as fire wardens, Hiroshige transformed landscape printmaking into a poetic meditation on nature, weather, and everyday life. His revolutionary approac...

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