Mulier Argentinensis
1601 to 1650
Medium
etching
Classification
Department
CG-E
Museum
National Gallery of Art, Washington, D.C.
Credit
Rosenwald Collection
Accession Number
1943.3.5001
Art Historical Context
Wenceslaus Hollar's *Mulier Argentinensis*, an exquisite etching from the mid-17th century (ca. 1601–1650), captures the poised elegance of a woman from—known in antiquity as Argentoratum. Hollar, a Bohemian master printmaker (1607–7), was renowned for his meticulous documentation of European life during the tumultuous Thirty Years' War era. Exiled from Prague, he in England and Antwerp, producing over 2,500 prints that chronicled costumes, architecture, and daily scenes with remarkable precision. This print exemplifies Hollar's etching technique, where a needle scratches fine lines into a co...
About the Artist
Wenceslaus Hollar · 1607–1677
Wenceslaus Hollar (1607-1677) was a prolific Bohemian etcher who became one of the most accomplished printmakers of the seventeenth century. Born in Prague, he trained under Matthäus Merian in Frankfurt before entering the service of Thomas Howard, Earl of Arundel, in 1636. Hollar spent most of his career in England, where he produced approximately 2,740 etchings documenting an extraordinary range...