Artheon MuseumArtheonMuseum

Mummy with an Inserted Panel Portrait of a Youth

Unknown Artist

A.D. 80–100

Mummy with an Inserted Panel Portrait of a Youth by Unknown Artist

Medium

Human remains wrapped with linen and mummification material; panel portrait: encaustic on limewood

Dimensions

Mummy: L. 169 cm (66 9/16 in.); W. 45 cm (17 11/16 in.); Panel as exposed: H. 38.1 cm (15 in.); W. 18 cm (7 1/16 in.)

Classification

Mummy, youth, panel portrait

Period

Roman Period

Department

Egyptian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Rogers Fund, 1911

Accession Number

11.139

Rights

Public Domain

Tags

MenPortraits

About this artwork

This work exemplifies the artistic traditions of Roman Period, Fayum. Created A.D. 80–100, it demonstrates the human remains wrapped with linen and mummification material; panel portrait: encaustic on limewood technique characteristic of its era.

Art Historical Context

This striking mummy from the Roman Period in Egypt, dated A.D. 80–100, beautifully illustrates the cultural fusion of ancient Egyptian burial traditions with Roman artistic influences. Originating from the Fayum region, it features the preserved remains of a young man wrapped in linen and mummification materials, with a lifelike panel portrait inserted over the face. Such works reflect how Egyptian practices of preparing the dead for the afterlife adapted under Roman rule, blending local customs with the empire’s emphasis on individual identity. The portrait itself stands out for its remarkable realism, painted in encaustic—a technique using heated beeswax mixed with pigments—on limewood. This method allowed artists to achieve rich colors, subtle shading, and a sense of depth that captures the youth’s features with striking immediacy. As one of the finest surviving examples of Fayum mummy portraits, it offers visitors a rare glimpse into the personal lives of people living at the crossroads of two great civilizations. Housed in the Metropolitan Museum of Art’s Egyptian Art department, this piece highlights the enduring human desire to be remembered. Its presence in the collection, acquired through the Rogers Fund in 1911, continues to connect modern audiences with the intimate stories of the ancient world.

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