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Night Voyage, from the series, Voyage en Bateau

Night Voyage, from the series, Voyage en Bateau by Charles-François Daubigny

Medium

Etching; first state of three (Delteil)

Dimensions

Image: 3 3/4 × 6 1/4 in. (9.5 × 15.9 cm) Sheet: 6 1/2 × 9 3/4 in. (16.5 × 24.8 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of Theodore De Witt, 1923

Accession Number

23.65.65

Rights

Public Domain

Tags

NightBoats

Art Historical Context

Charles-François Daubigny, leading figure in the Barbizon school of landscape painting, created *Night Voyage* in 1 as part of his *Voyage en Bateau series. This intimate etching captures the quiet drama of a nocturnal river journey, evoking the serene yet mysterious atmosphere of boats gliding through moonlit waters—a recurring motif in Daubign work. Working along the Seine and Oise rivers from his innovative studio-boat, Daubigny pioneered plein-air techniques that foreshadowed Impressionism, blending realism with poetic light effects. Rendered in the first state of three (as cataloged by Delteil), this etching measures just 3¾ × 6¼ inches and showcases Daubigny's mastery of printmaking. Etching allowed him to translate his fluid brushwork into intricate lines, building texture and depth through aquatint-like shading to convey the night's subtle glow and shadowy forms. Rare early proofs like this one reveal the evolving composition before refinements in later states. A gift to the Metropolitan Museum of Art in 1923, *Night Voyage* highlights 19th-century French artists' fascination with nature's fleeting moods. It invites visitors to ponder the tranquility of rural waterways, bridging Romanticism and modernity in a compact, evocative print.

About the Artist

Charles-François Daubigny · 1817–1878

Charles-François Daubigny was born on February 15, 1817, in Paris into a family of artists, with his father, Edmé-François Daubigny, a classical landscape painter, and his uncle, Pierre Daubigny, a miniaturist, providing his initial artistic training. He further studied under Jean-Victor Bertin, Jacques Raymond Brascassat, and Paul Delaroche at the École des Beaux-Arts, though he quickly moved bey...

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