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伝源俊頼書 『三宝絵詞』断簡 (東大寺切)|Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire)

伝源俊頼書 『三宝絵詞』断簡 (東大寺切)|Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the “Tōdaiji Fragments” (Tōdaiji-gire) by Minamoto no Toshiyori

Medium

Page from a book; ink on decorated paper

Dimensions

Image: 9 1/4 × 5 7/8 in. (23.5 × 15 cm) Overall with mounting: 49 3/16 × 13 3/8 in. (125 × 34 cm) Overall with knobs: 49 3/16 × 15 3/8 in. (125 × 39 cm)

Classification

Calligraphy

Culture & Period

Japan · Heian period (794–1185)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Mary Griggs Burke Collection, Gift of the Mary and Jackson Burke Foundation, 2015

Accession Number

2015.300.235

Art Historical Context

This exquisite fragment, titled *Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba)*, one of the renowned “Tōdaiji Fragments,” hails from Japan’s Heian period (794–1185), a golden age of courtly elegance and refined arts. Attributed to the calligraphy of Minamoto no Toshiyori, a celebrated poet, it dates to 1120 and forms part of an illustrated narrative scroll explaining the Buddhist Three Jewels—Buddha, Dharma, and Sangha. These fragments, preserved in fragments like this one, represent some of the earliest surviving emaki (picture scrolls), blending text and image...

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