清 王槩繪圖、李漁出版 《芥子園畫傳》 木版畫|Page from the Mustard Seed Garden Manual of Painting
first edition, printed 1679
Medium
Woodblock print; ink and color on paper
Dimensions
9 5/8 x 11 13/16 in. (24.4 x 30 cm)
Classification
Prints
Culture & Period
China · Qing dynasty (1644–1911
Department
Asian Art
Museum
Metropolitan Museum of Art, New York, NY
Credit
Rogers Fund, 1924
Accession Number
CP11
Tags
About this artwork
This Woodblock print; ink and color on paper by Wang Gai from first edition, printed 1679 exemplifies historical artistic production through its materials, techniques, and aesthetic approach. Created within specific cultural and historical contexts, works like this reflect both individual artistic vision and broader patterns of workshop practice, patron expectations, and prevailing aesthetic theories. The medium of Woodblock print; ink and color on paper required specialized knowledge developed ...
Art Historical Context
This exquisite woodblock print is a page from the first of the *Mustard Seed Garden Manual of* (*Jieziyuan Huazhuan*), compiled by Wang Gai and published by the innovative dramatist Li Yu in 1679 during China's Qing dynasty (1644–1911). Named after Li Yu's garden in Nanjing, this groundbreaking manual became one of the most influential painting in East Asian art history, offering model compositions for aspiring artists. Featuring delicate landscapes with mountains—a hallmark of Chinese literati painting—it captured the era's aesthetic ideals of harmony between nature and the scholar's inner wo...
About the Artist
Wang Gai · 1645–1710
Wang Gai (王概, 1645–1710), a prominent Qing dynasty painter from Xiushui in Zhejiang province, established himself in the vibrant cultural hub of Nanjing, where he flourished from around 1677 to 1705. Born into a scholarly family—his father-in-law was the renowned writer Li Yu (1611–1680)—Gai trained under the master Gong Xian (1619–1689), one of the Eight Masters of Jinling, adopting his robust la...