Party on their way to view plum blossoms

Art Historical Context

Torii Kiyomitsu I's *Party on Their Way to View Plum Blossoms* (c. 1764) captures the vibrant social life of Edo-period Japan (1603–1868) through the lens of ukiyo-e, the "pictures of the floating world" that celebrated fleeting pleasures. As a leading figure in the Torii school Kiyomitsu specialized in graceful depictions of beautiful women (bijin-ga) and kabuki actors, blending dynamic compositions with elegant figural poses. This woodblock print shows a lively group of women—likely courtesans or townsfolk—journeying to admire early-spring plum blossoms, a cherished hanami tradition symbolizing renewal amid winter's end. The artwork's medium, a benizuri-e or "rose-colored print," marks an exciting transitional technique in Japanese printmaking. Using just two blocks—one for black outlines and one for pinkish-red pigments—it introduced subtle color to what were previously monochrome works, paving the way for the multicolored nishiki-e prints of later masters like Utamaro and Hokusai. Measuring 30.5 × 45.1 cm, its intimate scale suited urban collectors who prized these affordable beauties. Housed in the Art Institute of Chicago's Arts of Asia department, this print offers a window into 18th-century fashion, from flowing kimonos to seasonal accessories, evoking the joy of communal outings. It's a delightful reminder of how art preserved Japan's playful spirit!

About the Artist

Torii Kiyomitsu I · 1735–1785

Japanese, 1735–1785