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Plate 11: A Lioness with Two Lions in the Background

Joris Hoefnagel

c.1575/1590s

Plate 11: A Lioness with Two Lions in the Background by Joris Hoefnagel

Medium

watercolor and gold paint on parchment

Dimensions

page size (approximate): 14.3 x 18.4 cm (5 5/8 x 7 1/4 in.)

Classification

Drawing

Department

CG-E

Museum

National Gallery of Art, Washington, D.C.

Credit

Gift of Mrs. Lessing J. Rosenwald

Accession Number

1987.20.6.12

Rights

Public Domain

Art Historical Context

Step into the wild majesty of *Plate 11: A Lioness with Two Lions in the Background*, a captivating watercolor and gold paint on parchment by artist Joris Hoefagel, created around 1575–1590s. Measuring just 14.3 x 18.4 cm, this intimate drawing showcases a fierce lioness in the foreground, flanked by two distant lions against a subtle landscape, rendered with Hoefnagel's signature hyper-detailed. Now housed in the National Gallery of Art as a gift from Mrs. Lessing J. Rosenwald, it exemplifies the Northern Renaissance fascination with nature's wonders. Hoefnagel, a pioneering natural history illustrator who served Habsburg emperors like Rudolf II, elevated animal depictions to scientific art. His works bridged medieval manuscript traditions and emerging empiricism during Europe's Age of Exploration, when collecting exotic specimens symbolized power and knowledge. Lions, emblems of strength and royalty, here embody raw vitality through meticulous fur textures and lifelike gazes. The choice of parchment—a durable, translucent vellum evoking illuminated manuscripts—paired with shimmering gold paint, infuses the scene with luminous depth and opulence. This technique not only highlights anatomical accuracy but invites viewers to marvel at nature's drama up close, making it a gem for those exploring the roots of modern zoological illustration.

About the Artist

Joris Hoefnagel · 1542–1600

Joris Hoefnagel, also known as Georg Hoefnagel, was born in 1542 in Antwerp to Jacob Hoefnagel, a prosperous diamond and luxury goods dealer, and Elisabeth Vezelaer, daughter of the Antwerp mint master. Intended for the family trade, he received a humanistic education, mastering languages, poetry, and music, but pursued art as a self-taught draftsman and miniaturist, receiving his first lessons fr...

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