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Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses'

Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses' by Antonio Tempesta

Medium

Etching

Dimensions

Sheet: 4 1/8 × 4 9/16 in. (10.4 × 11.6 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

Accession Number

51.501.3978

Tags

BirdsKingsWomen

Art Historical Context

Behold Plate 127 from Antonio Tempesta's masterful etching series illustrating Ovid's *Metamorph*, created in 1606. This intimate 4⅛ × 4⁹⁄₁₆-inch sheet captures a dramatic moment from the Roman poet's epic: the daughters of Anius, king of Delos, transforming into birds to escape peril. In Ovid's tale, the women—gifted with miraculous powers by Bacchus—are pursued amid themes of divine intervention and metamorphosis, symbolized here by fluttering wings and frantic motion. Tempesta, a prolific Italian Mannerist etcher active in late Renaissance Rome, excelled in dynamic, narrative-packed prints...

About the Artist

Antonio Tempesta · 15551630

Antonio Tempesta (1555–1630), known as 'Il Tempestino,' was a Florentine painter and printmaker whose extraordinary output of approximately 1,700 etchings made him one of the most influential printmakers of the early Baroque period. Born in Florence and trained under Santi di Tito and the Flemish master Joannes Stradanus, he enrolled in the Accademia del Disegno in 1576 before relocating to Rome i...

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