Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses'

Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses' by Antonio Tempesta

Medium

Etching

Dimensions

Sheet: 4 1/8 × 4 5/8 in. (10.4 × 11.7 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1951

Accession Number

51.501.3881

Tags

MenWomen

Art Historical Context

Behold Plate 30 from Antonio Tempesta's masterful series of etchings illustrating Ovid's *Metamorph*, published in 1606. This vivid scene captures the gruesome death of Pentheus, ill-fated king of Thebes from the Roman poet's epic. In a frenzy induced by Dionysus, the god of wine, Pentheus torn limb from limb by his own mother, Agave, and her sisters— a stark warning against hubris and denial of divine ecstasy. Tempesta's dynamic composition teems with writhing figures, emphasizing the chaos of the Bacchic rite. As a leading Italian etcher of the early Baroque period, Tempesta excelled in tra...

About the Artist

Antonio Tempesta · 15551630

Antonio Tempesta (1555–1630), known as 'Il Tempestino,' was a Florentine painter and printmaker whose extraordinary output of approximately 1,700 etchings made him one of the most influential printmakers of the early Baroque period. Born in Florence and trained under Santi di Tito and the Flemish master Joannes Stradanus, he enrolled in the Accademia del Disegno in 1576 before relocating to Rome i...

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