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More by Giovanni Domenico Campiglia
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Plate LXVIII (68): Hercules, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate XXXIII (33): Venus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate XVII (17): A Muse, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate LXXI (71): Narcissus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate IIII (4): Leda and the Swan, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate LI (51): Bacchus, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate LXII (62): Flora, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate XXXVII (37): Mars, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate LXXV (75): Male Athlete, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate X (10): Apollo, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

Plate XIX (19): Diana, from "Museum Florentinum" (Statuae antiquae dorum et virorum illustrium)
1734

She gathers the fairest flower (Il più bel fior ne coglie), a group of six putti working together in an arched workshop
1740–59