Artheon MuseumArtheonMuseum

Powder Horn

Powder Horn by Margaret Stottlemeyer

Medium

watercolor and graphite on paper

Dimensions

overall: 25.9 x 36.8 cm (10 3/16 x 14 1/2 in.) Original IAD Object: 15" long; 2" in diameter

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.13354

Rights

Public Domain

Art Historical Context

Behold the intricate *Powder Horn* by Margaret Stottlem, a captivating watercolor and graphite rendering from around 1937. Measuring 25.9 x 36.8 cm, this artwork faithfully captures the contours of an original 15-inch-long, 2-inch-diameter powder horn—a utilitarian vessel crafted from animal horn, once essential for storing black powder in firearms during America's colonial era and frontier days. Created as part of the Index of American Design (IAD), a New Deal-era Federal Art Project (19351942), Stottlemeyer's piece exemplifies the initiative's mission to document and celebrate everyday American folk art and crafts. Amid the Great Depression, artists like her produced over 15,000 precise, vividly colored studies to preserve vanishing cultural artifacts, fostering national pride in indigenous design traditions. Powder horns, often personalized with engravings of maps, patriotic motifs, or hunting scenes, symbolized self-reliance and ingenuity on the early American landscape. Stottlemeyer's masterful use of watercolor for luminous tones and graphite for fine details highlights the horn's textured surface and ergonomic form, bridging historical utility with artistic reverence. Housed in the National Gallery of Art's IAD collection, this work invites us to appreciate how ordinary objects embody the spirit of America's past.

About the Artist

Margaret Stottlemeyer · 1859–1948

Margaret Stottlemeyer is an artist whose biographical details — including her dates, nationality, and training — have not been fully established in the scholarly literature. Her name appears in museum records, suggesting that her work entered institutional collections, but the circumstances of her life and career remain poorly documented. The precise nature of her practice and the media she favor...

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