Rev. John Brodhead Romeyn, D. D.

Art Historical Context

Behold *Rev. John Brodhead Rome, D. D.*, a striking 1820 engraving that captures the dignified likeness of a prominent Presbyterian minister. Created by the collaborative talents of portraitist Samuel Lovett Waldo and engraver Asher Brown Durand—one of America's early masters of the Hudson River School portrait reflects the refined portraiture tradition of early 19th-century New York. Dated May 1, 1820, it honors Rev. Romeyn, whose title "D. D." signifies his Doctor of Divinity, undersc his influential role in religious and community life during a formative era of American Protestantism. Printed as the second state of two, this engraving measures 12 3/4 x 9 15/16 inches and exemplifies the meticulous technique of hand-engraving on metal plates. Durand's precise line work brings out the reverend's thoughtful expression and clerical attire, translating Waldo's painted original into an accessible print format. Such engravings were vital for disseminating portraits to a wider audience, bridging elite portrait commissions with public veneration. Now housed in the Metropolitan Museum of Art's Drawings and Prints department, thanks to a 1930 gift from Mrs. Frederic F. Durand, this work highlights the enduring legacy of early American printmaking. Visitors will appreciate its blend of technical virtuosity and historical insight into a cleric's world.

About the Artist

Asher Brown Durand|Samuel Lovett Waldo|Rev. John Brodhead Romeyn · 1796–1886

Was a principal member of the Hudson River School. American artist; associated with the Hudson River School of landscape painting. Comment on works: Portraits