Artheon MuseumArtheonMuseum

S. Giovanni Laterano

S. Giovanni Laterano by Eugène Constant

Medium

Albumen print from glass negative

Dimensions

Image: 8 11/16 × 11 5/16 in. (22 × 28.7 cm) Sheet: 12 1/8 × 18 1/2 in. (30.8 × 47 cm)

Classification

Photographs

Department

Photographs

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gilman Collection, Museum Purchase, 2005

Accession Number

2005.100.799 (6)

Rights

Public Domain

Tags

ArchitectureBuildings

Art Historical Context

In the mid-19th century, French photographer Eugène Constant captured the grandeur of Rome's architectural treasures, including this stunning albumen print of *S. Giovanni Laterano*, created between 1848 and 1852. The Basilica of Saint John Lateran, the pope's cathedral and one of the city's oldest churches (dating to the 4th century), stands as a testament to early Christian architecture with its layered history of Renaissance and Baroque additions. Constant's image freezes its majestic facade and towering apse against a clear sky, inviting viewers to appreciate the intricate details of columns, arches, and statues that define this sacred landmark. This photograph exemplifies the revolutionary albumen print process, introduced in 1847, where a glass negative coated in albumen (egg white) produced richly toned, highly detailed images. Measuring about 8 11/16 × 11 5/16 inches, Constant's work showcases photography's emerging power to document architecture with unprecedented precision, rivaling engravings but offering lifelike depth and luminosity. As part of the Gilman Collection at The Metropolitan Museum of Art, it highlights how early photographers like Constant transformed travel souvenirs into artistic records, preserving Rome's enduring cultural heritage for global audiences.

About the Artist

Eugène Constant · 1848–1855

Eugène Constant (before 1820 – after 1860) was a French painter who became one of the pioneering photographers of the 19th century, capturing the grandeur of Italy's ancient monuments with unprecedented clarity.) Trained as a painter in Paris during the early 1840s, where he maintained a studio at 31 rue du Marché-Saint-Honoré, Constant exhibited interior views of Venice's Basilica of San Marco an...

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