Saint Michael

Art Historical Context

In the mid-1430s, Sienese painter Pietro di d'Ambrogio this intimate depiction of *Saint Michael*, a masterful example of early Renaissance devotional art. Measuring just 9 5/8 x 2 15/16 inches on its painted surface, the panel—framed in an engaged Gothic-style surround—was likely designed for private worship, perhaps as part of a predella or a portable altarpiece. Housed in the Robert Lehman Collection at The Metropolitan Museum of Art since 1975, it the archangel in dynamic pose, sword raised triumphantly over a vanquished dragon, embodying his role as heaven's warrior and protector against evil. Executed in tempera on wood with lavish silver and gold ground, the work showcases Pietro's skillful use of these precious materials. The shimmering gold evokes divine radiance, while silver highlights Michael's armor, creating a luminous, otherworldly effect typical of Sienese painting's International Gothic influences transitioning toward Renaissance naturalism. Pietro, active in Siena's vibrant artistic scene, blended meticulous detail—note the intricate feathers and scales—with emotional intensity, making the saint both awe-inspiring and approachable for lay devotees. This petite gem reflects Siena's enduring tradition of small-scale sacred images, cherished by pilgrims and nobility alike, offering spiritual solace amid the era's plagues and wars. A testament to 15th-century Italian piety, it invites visitors to marvel at its exquisite craftsmanship up close.

About the Artist

Pietro di Giovanni d'Ambrogio · 1409–1449

Comment on works: religious