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Samson Rending the Lion

Albrecht Dürer

ca. 1497–98

Samson Rending the Lion by Albrecht Dürer

Medium

Woodcut

Dimensions

sheet: 15 1/4 x 11 in. (38.7 x 28 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The George Khuner Collection, Gift of Mrs. George Khuner, 1975

Accession Number

1975.653.9

Rights

Public Domain

Tags

SamsonLions

Art Historical Context

In the late 1490s, Albrecht Dürer, a pioneering figure of the Northern Renaissance, created *Samson Rending the*, a striking woodcut capturing the biblical hero's legendary feat from the Book of Judges. Depicting Samson tearing apart a roaring lion with his bare hands, this print embodies raw physical power and divine strength, popular motif in Renaissance art symbolizing triumph over adversity. Produced around 1497–98, it reflects Dürer's early mastery during his Nuremberg years, when he was elevating woodcuts from humble book illustrations to standalone masterpieces. Dürer's woodcut technique shines here: he carved intricate details into pearwood blocks, achieving unprecedented finesse in line work—muscles straining, fur rippling, and dynamic poses that rival engraving. At 15¼ × 11 inches, the sheet's bold contrasts and dramatic composition made it ideal for dissemination across Europe, democratizing high art through affordable prints. This innovation helped establish printmaking as a major medium. Housed in the Metropolitan Museum of Art's Drawings and Prints department (gift of Mrs. George Khuner, 1975), the work underscores Dürer's enduring influence on graphic arts and the cultural fascination with heroic biblical narratives during a time of religious fervor and humanism.

About the Artist

Albrecht Dürer · 1471–1528

Albrecht Dürer (1471–1528) stands as the preeminent figure of the Northern Renaissance and arguably the most influential artist in the history of printmaking. Born in Nuremberg on May 21, 1471, and dying in the same city on April 6, 1528, Dürer revolutionized the status of the artist in Northern Europe, transforming printmaking from a commercial craft into an independent fine art and establishing ...

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