Scenes from the Life of Christ and Other Figure Studies
1610–64
Medium
Pen and brown ink
Dimensions
7 1/2 x 11in. (19.1 x 27.9cm)
Classification
Drawings
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Walter C. Baker, 1971
Accession Number
1972.118.1
Tags
About this artwork
Stefano della Bella (1610-1664) stands as one of the most prolific and talented printmakers of the 17th century, creating over 1,052 prints and several thousand drawings throughout his career. Unlike most etchers of his time who maintained parallel careers as painters, della Bella devoted himself almost exclusively to printmaking, though this drawing demonstrates his highly regarded draftsmanship. Born in Florence, he studied under Remigio Cantagallina, who had also instructed Jacques Callot, an...
Art Historical Context
Stefano della Bella (1610–1664), one of the 17th century's most printmakers, produced over 1,052 prints and thousands of drawings focusing almost exclusively on graphic arts rather than painting. Born in, he trained under Remigio Cantagall—who had taught Jacques Callot—and evolved from Mannerist roots to a vibrant Baroque style. This pen-and-brown-ink drawing, measuring 7½ x 11 inches, his exceptional draftsmanship through multiple vignettes from the Life of Christ, alongside lively figure studies of women, hands, men, horses, and a child with a squirrel. The sheet's spontaneous, spirited qua...
About the Artist
Stefano della Bella · 1610–1664
Stefano della Bella (1610-1664) was one of the most prolific and versatile printmakers of the Italian Baroque period, leaving behind 1,052 prints and several thousand drawings that captured the vivid essence of 17th-century European life. Born in Florence on May 18, 1610, to a family of artists, he trained initially as a goldsmith before studying painting under Cesare Dandini and etching under Rem...