Related Artworks
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Beheading of a Kneeling Nude Man
1502–93
Partial Design for a Tomb with a Seated Male Figure Holding a Shield (recto); Partial Design for a Tomb with a Seated Male Figure, Putti and an Obelisk (verso)
16th century
Artists Drawing and Painting in a Studio
1612–66
Tomb Design with Reclining Figure on Sarcophagus
16th century
Studies for The Allegories of Love
1570–75
Half-Figure of a Nude Man Facing Right
1640's
Scenes from Ancient History, after Polidoro da Caravaggio
1560–1608
An Angel in Adoration
17th century
Witches' Sabbath
1640–1649
Design for a Façade
18th century
Three Dancing Putti
1640–50
Europa
16th century
More by Pietro da Cortona (Pietro Berrettini)
Explore other works by this artist
Design for the Coat of Arms of a Cardinal with three Angels
ca. 1640-1660
The Sacrifice of Polyxena, after Pietro da Cortona
ca. 1759–70
Allegorical scene with a sacrificial lamb
1640–70
Faith, Hope, and Charity
1630?–78
Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix
ca. 1677
Plate 6: Allegory with Hercules chasing off the Harpies as Justice and Plenty aid the poor, from Barberinae aulae fornix
ca. 1677
Plate 9: Allegory of Temperance with a unicorn and Publius Scipio Africanus at bottom, from Barberinae aulae fornix
ca. 1677
Barberinae aulae fornix
ca. 1677
Plate 7: Allegory of Justice with griffin of Manlius Toquatus, from Barberinae aulae fornix
ca. 1677
Leaf from Aedes Walpolianae mounted with two prints: (a): Three Soldiers; (b): Christ Appearing to Mary in the Garden
18th–19th century
An allegorical composition with Charity and prisoners in chains; a plate from Rossi's series of engravings of Pietro da Cortona's fresco in the Camera of Mars in the Pitti Palace, Florence.
1677
Title Page, from Barberinae aulae fornix
ca. 1677