Artheon MuseumArtheonMuseum

Seven Sages in the Bamboo Grove

Yashima Gakutei

19th century

Seven Sages in the Bamboo Grove by Yashima Gakutei

Medium

Woodblock print (surimono); ink and color on paper

Dimensions

8 1/8 x 7 5/16 in. (20.6 x 18.6 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

H. O. Havemeyer Collection, Bequest of Mrs. H. O. Havemeyer, 1929

Accession Number

JP2100

Rights

Public Domain

Tags

MenFlutesBamboo

Art Historical Context

In the serene confines of a bamboo grove, Yashima Gakute *Seven Sages in the Grove* (19th century) captures a timeless scene of scholarly retreat. This intimate woodblock print, or *surimono*, depicts seven wise men immersed in nature, some playing flutes amid swaying bamboo stalks. Created during Japan's Edo period (16151868), it reflects the era's fascination with ukiyo-e traditions—delicate, colorful prints that brought poetry and elegance to everyday life. *Surimono* like this one were luxurious, privately commissioned works, often featuring embossing, mica, and vibrant inks on fine paper to evoke poetic refinement. Gakutei, a master of the form, skillfully layers ink and color to suggest depth and harmony, symbolizing the Chinese legend of the Seven Sages who escaped worldly turmoil for intellectual pursuits in nature. Bamboo, a motif of resilience and purity in East Asian culture, frames their flute melodies, inviting viewers to ponder themes of harmony and escape. From the H.O. Havemeyer Collection at the Metropolitan Museum of Art, this 8⅛ x 7½-inch gem (20.6 x 18.6 cm) exemplifies Edo Japan's artistic pinnacle, blending technical virtuosity with philosophical depth for an enduring whisper of tranquility.

About the Artist

Yashima Gakutei · 1786–1868

Yashima Gakutei (c. 1786–1868), born in Osaka as the illegitimate son of a Tokugawa shogunate samurai named Hirata, adopted the name from his mother's subsequent marriage into the Yashima clan. Little is documented about his early years beyond these familial ties, but he pursued artistic training under the esteemed ukiyo-e masters Totoya Hokkei and Katsushika Hokusai, absorbing their precision in ...

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