Shakespeare Seated Between the Dramatic Muse and the Genius of Painting, Who is Pointing Him Out as the Proper Subject for Her Pencil

Boar's Head Tavern: Prince Hal, Falstaff and Poins (Shakespeare, First Part of Henry IV, Act 2, Scene 4)

1825–40

Catherine of Aragon and Cardinal Wolsey (Shakespeare, King Henry VIII, Act 3, Scene 1)

1825–40

Aaron and Tamora (Shakespeare, Titus Andronicus, Act 2, Scene 3)

1825–40

Suffolk and Margaret (Shakespeare, King Henry VI, Part I, Act 5, Scene 3)

1825–40

Cordelia and King Lear (Shakespeare, King Lear, Act 4, Scene 7)

1825–40

Simonides and Thaisa (Shakespeare, Pericles, Act 2, Scene 2)

1825–40

Reverse copy of Maria Scotorv Regin et Franciae Dotaria

mid-to late 18th century

Monument of Mary, Queen of Scots (from "The History of England")

November 25, 1795

Mr. Macklin in the Character of Shylock, in Shakespeare's The Merchant of Venice

1775

An Emblematic Print on the South Sea

late 18th century

Mary, Queen of Scots

July 10, 1784

The Chinese Gardener

1741–63