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Shelf Clock

Shelf Clock by Ferdinand Cartier

Medium

watercolor, colored pencil, pen and ink and graphite on paperboard

Dimensions

overall: 55.3 x 45.7 cm (21 3/4 x 18 in.) Original IAD Object: 28"base-top of finial; 11 1/2"wide, base; 5 7/8"deep, base. See d.s.

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.4760

Rights

Public Domain

Art Historical Context

Behold the exquisite *Shelf Clock*, a meticulously rendered depiction created by artist Ferdinand Cartier around 1940. This vibrant watercolor, enriched with colored pencil, pen and ink, and graphite on paperboard (55.3 x 45.7 cm), captures the elegant form of an American shelf clock—standing 28 inches from base to finial top, with a 11½-inch-wide base and 5⅞-inch depth. Cartier's work showcases the clock's graceful proportions, ornate details, and polished surfaces, evoking the craftsmanship of early American decorative arts. As part of the Index of American Design (IAD), a landmark WPA Federal Art Project from the 1930s and 1940s, this piece served a vital cultural mission. Artists like Cartier documented everyday American objects—furniture, clocks, and folk art—to preserve the nation's design heritage amid the Great Depression. Through hyper-realistic techniques, blending fluid watercolors for luster with precise ink lines and pencil shading, these renderings offered an accessible archive of vanishing traditions, now housed in the National Gallery of Art's collection. Today, *Shelf Clock* invites us to appreciate not just the timepiece's timeless utility, but the artistry of its preservation—bridging 19th-century makers with 20th-century chroniclers in a celebration of American ingenuity.

About the Artist

Ferdinand Cartier · 1892–1987

Ferdinand Cartier is an artist whose historical record remains limited. No confirmed birth or death dates have been established, and his national origin and training background are not documented in surviving sources, making it difficult to place him within any specific artistic tradition or school. Cartier's presence in museum collections, with close to fifty works attributed to him, points to a...

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