Artheon MuseumArtheonMuseum

Soap Kettle

Soap Kettle by Clyde L. Cheney

Medium

watercolor and graphite on paper

Dimensions

overall: 30.4 x 23.1 cm (11 15/16 x 9 1/8 in.)

Classification

Index of American Design

Department

CG-W

Museum

National Gallery of Art, Washington, D.C.

Credit

Index of American Design

Accession Number

1943.8.11941

Rights

Public Domain

Art Historical Context

**Soap Kettle**, a captivating watercolor and graphite rendering by Clyde L. Cheney around 1937, meticulously documents a humble yet essential artifact of American domestic life: a large iron kettle used for boiling animal fats and lye to produce soap. 30.4 x 23.1 cm, this work belongs to the National Gallery of's Index of American Design (Department CG-W), inviting visitors to appreciate the ingenuity of everyday objects that sustained pioneer households and early industries. Created during the Great Depression as part of the Federal Art Project under the Works Progress Administration (WPA), the Index of American Design (1935–1942) employed artists like Cheney to produce over 15,000 precise, colorful studies of folk art and design objects. These renderings preserved vanishing aspects of American material culture, celebrating regional craftsmanship and promoting national pride. Soap kettles, often community fixtures for "soap bees" where neighbors gathered, symbolized self-reliance and communal labor in 18th- and 19th-century America. Cheney's technique—vibrant watercolors for texture and sheen, paired with graphite for fine details—brilliantly captures the kettle's weathered patina and functional form, transforming a utilitarian item into a work of art. This piece highlights how design documentation bridged art and history, making cultural heritage accessible to all.

About the Artist

Clyde L. Cheney · 1895–1968

Clyde L. Cheney is an artist about whom little is currently known. No dates of birth or death have been established, and his nationality and artistic training are not documented in surviving historical records. With nearly fifty works attributed to him in institutional collections, Cheney's output points to an active career. The middle initial suggests a deliberate professional identity, but corr...

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