St. Andrews by David Octavius Hill|Robert Adamson|Hill and Adamson

Medium

Salted paper print from paper negative

Classification

Photographs

Department

Photographs

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1937

Accession Number

37.98.1.7

Tags

BuildingsRuins

Art Historical Context

Welcome to the Metropolitan Museum of Art's photography collection, where *St. Andrews* (1843–47) by David Octavius Hill and Robert Adamson transports us to the dawn of photography. This salted paper print from a paper negative captures the evocative ruins of St. Andrews in Scotland—a once-grand medieval structure reduced to haunting remnants by the Reformation. The partners, often credited together as Hill and Adamson, pioneered the calotype process in the 1840s, blending Hill's artistic eye as a painter with Adamson's technical mastery in chemistry. The calotype's paper negative produced so...

About the Artist

David Octavius Hill|Robert Adamson|Hill and Adamson · 18021870

David Octavius Hill (1802–1870) was a Scottish painter, photographer, and arts administrator whose pioneering photography partnership with Robert Adamson from 1843 to 1847 transformed the medium into an art form. Born in Perth and trained in Edinburgh, Hill established himself as a landscape painter and became secretary of the Royal Scottish Academy, a position he held for nearly forty years. His ...

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