Strasbourg, from "German Views"

Art Historical Context

Wenceslaus Hollar, a Bohemian etcher active in England during the 17th century, captured essence of European cities in his intricate prints. "Strasbourg, fromGerman Views'" (1663–65) is a gem from this series, depicting the bustling Rhine River city—then a key stronghold in the Holy Roman Empire blending German and French influences amid rising tensions that would lead to its French annexation decades later. Hollar's topographical precision made such views invaluable historical records, offering visitors a window into urban life before widespread photography. This petite etching (just 2 1/8 × 4 1/2 inches) brims with detail: grand buildings rise along the riverbanks, boats glide on the water, and horses add a touch of everyday vitality. As the only state of the print, it showcases Hollar's etching technique—fine, controlled lines etched into a copper plate for subtle tones and textures—highlighting architecture and natural elements with remarkable clarity. Produced during his prolific career of over 2,500 prints, it reflects the era's fascination with accurate panoramas. Today, housed in the Metropolitan Museum of Art's Drawings and Prints department (purchased via the Joseph Pulitzer Bequest in 1917), this work invites us to appreciate how Hollar transformed tiny sheets into vivid portals of the past, blending artistry with documentary zeal.

About the Artist

Wenceslaus Hollar · 1607–1677

Wenceslaus Hollar (1607-1677) was a prolific Bohemian etcher who became one of the most accomplished printmakers of the seventeenth century. Born in Prague, he trained under Matthäus Merian in Frankfurt before entering the service of Thomas Howard, Earl of Arundel, in 1636. Hollar spent most of his career in England, where he produced approximately 2,740 etchings documenting an extraordinary range...