Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso)

Study for "Arrangement in Black, No. 2: Portrait of Mrs. Louis Huth" (recto); Study for "Symphony in Flesh Color and Pink: Portrait of Mrs. Frances Leyland" (verso) by James McNeill Whistler

Medium

Pastel (recto), and black chalk with touches of pink and white pastel (verso), on brown wove paper

Dimensions

22.9 × 12.3 cm (9 1/16 × 4 7/8 in.)

Classification

pastel

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

113070

Art Historical Context

This double-sided drawing by James McNeill Whistler, created around 1872, offers a rare glimpse into the American-born artist's meticulous preparatory process. The recto features a pastel study for *Arrangement in Black, No 2: Portrait of. Louis Huth*, the verso holds a delicate black chalk sketch with pink and white pastel accents for *Symphony Flesh Color and Pink: of Mrs. Frances Ley*. At just 22.9 × 12.3 cm, this intimate sheet on brown wove paper capturesistler's focus on portraiture during a pivotal moment in his career, when he was crafting his signature Aestheticist portraits for Londo...

About the Artist

James McNeill Whistler · 18341903

James Abbott McNeill Whistler (1834-1903) was an American-born painter and printmaker who became a leading figure in the Aesthetic Movement and pioneer of Tonalism and Japonisme. He revolutionized art by championing "art for art's sake" and treating paintings as visual equivalents of musical compositions, titling works as "arrangements," "harmonies," and "nocturnes" to emphasize formal qualities o...

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