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Surface Decoration, Grotesque with Strapwork and Pergolas, Burial Scene above center from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo

Surface Decoration, Grotesque with Strapwork and Pergolas, Burial Scene above center from Veelderleij Veranderinghe van grotissen ende Compertimenten...Libro Primo by Johannes van Doetecum I|Lucas van Doetecum|Cornelis Floris II

Medium

Etching

Dimensions

Sheet: 12 3/16 x 8 3/16 in. (31 x 20.8 cm)

Classification

Books

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1926

Accession Number

26.57.61(10)

Rights

Public Domain

Tags

BirdsGrotesquesOrnamentMythical CreaturesSatyrs

Art Historical Context

This intricate etching, titled *Surface Decoration, Grotes with Strapwork andolas, Burial Scene above center*, hails from the 1556 pattern book *Veelderle Veranderinghe van grot ende CompertimentenLibro Primo* (Various Transformations of Grotesques andments, Book One). by Flemish architect Cornelis Floris, with masterful engravings by the innovative Dutch brothers Johannes and Lucas van Doetecum, it exemplifies the explosive popularity of ornamental design books in 16th-century Northern Europe Measuring 12 3/16 x 8 3/16 inches, this sheet buzzes with fantastical motifs: whimsical grotesques—hybrid creatures blending birds, satyrs, and mythical beasts—intertwined with bold strapwork (leather-like scrolls) and architectural pergolas, crowned by a somber central burial scene. Grotesques, revived from ancient Roman frescoes discovered in Nero's Domus Aurea, became a Renaissance sensation, symbolizing boundless imagination and used in architecture, textiles, and metalwork. Floris, a leader of Antwerp Mannerism, infused these with Northern flair—playful yet structured—while the van Doetecums' etching technique allowed unprecedented fine lines and tonal depth, making complex designs reproducible for artisans across Europe. As part of the Metropolitan Museum of Art's Drawings and Prints collection (acquired via the Harris Brisbane Dick Fund in 1926), this print wasn't just art but a practical blueprint, fueling the era's decorative revolution and bridging Italian Renaissance ideals with Flemish ingenuity. Visitors, imagine goldsmiths or stonemasons poring over it for inspiration—timeless creativity in ink!

About the Artist

Johannes van Doetecum I|Lucas van Doetecum|Cornelis Floris II (Netherlandish|Netherlandish) · 1528 |1527 –1605 |1606

Netherlandish, 1528/32–1605|Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)

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