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T. Rowlandson. The Caricaturist

T. Rowlandson. The Caricaturist by Anonymous, British, 19th century|Thomas Rowlandson

Medium

Facsimile of an etching

Dimensions

Image: 5 11/16 × 4 7/16 in. (14.4 × 11.3 cm) Sheet: 14 1/2 × 9 5/8 in. (36.8 × 24.4 cm)

Classification

Prints-Facsimiles

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.1827

Rights

Public Domain

Tags

MenPortraits

Art Historical Context

Step into the witty world of Georgian satire with *T. Rowlandson. Caricaturist*, a charming portrait capturing the essence of Thomas Rowlandson (1756–1827), one of Britain's most celebrated caricaturists. Created by an anonymous British artist in the late 19th century and reproduced as a facsimile etching around 1900, intimate image (5 11/16 × 4 7/16 in.) depicts Rowlandson in his element, pencil in hand, embodying the sharp-eyed humorist who skewered the excesses of Regency society through thousands of prints and illustrations. Rowlandson's work, often infused with bawdy energy and social commentary, brought the bustling streets of London to life, collaborating with writers like William Combe on *Dr. Syntax* adventures. This facsimile preserves an original etching's fine lines and tonal depth, a technique ideal for capturing caricature's playful exaggeration and intricate detail. Etchings like this were vital in the printmaking boom, making art accessible beyond elite circles. Housed in the Metropolitan Museum of Art's Drawings and Prints department as part of The Elisha Whittelsey Collection (acquired 1959), it honors Rowlandson's enduring legacy. A testament to how 19th-century satire still tickles our funny bone today, inviting us to appreciate the caricaturist's sly gaze on human folly.

About the Artist

Anonymous, British, 19th century|Thomas Rowlandson · 1800–1900

**Anonymous, British, 19th century** is not the name of a single individual but a standard museum attribution used for works whose creators remain unidentified yet are clearly British and date to the 1800s. Major institutions, including the Metropolitan Museum of Art, employ this designation for hundreds of drawings, prints, designs, and decorative studies that lack signatures or firm documentary ...

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