The Ascension of the Virgin

Art Historical Context

Behold *The Ascension of the Virgin a captivating preparatory drawing by the Italian artist Gregorio de' (1647–1726). Created during the late Baroque era in Genoa, this work exemplifies the dramatic religious art that flourished amid the Counter-Reformation, where vivid depictions of sacred scenes aimed to inspire faith and devotion. De' Ferrari, known for his frescoes andarpieces, masterfully sketched this vision of the Virgin Mary's ascent to heaven, surrounded by angels and a prominent cross—hallmarks of Catholic iconography symbolizing triumph over death. Executed in pen and brown ink with brush and brown and gray wash, the 16-1/8 x 10-7/8 inch sheet reveals de' Ferrari's skillful use of line and tonal modeling. The fluid ink strokes and subtle washes create depth and movement, evoking the swirling clouds and ethereal figures typical of ascension themes. Such drawings often served as studies for larger paintings or frescoes, showcasing the artist's preparatory process in an intimate scale. Now housed in the Metropolitan Museum of Art's Department of Drawings and Prints—thanks to a generous gift in 1995—this piece offers visitors a window into 17th-century artistic practice. It invites contemplation of Mary's glorification, blending technical virtuosity with profound spiritual resonance.