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The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript

Mahavihara Master

early 12th century

The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee: Folio from a Ashtasahasrika Prajnaparamita Sutra Manuscript by Mahavihara Master

Medium

Opaque watercolor on palm leaf

Dimensions

Page: 2 3/4 x 16 7/16 in. (7 x 41.8 cm) Image: 2 1/2 x 1 15/16 in. (6.4 x 4.9 cm)

Classification

Paintings

Culture & Period

India, West Bengal or Bangladesh · Pala period

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Lila Acheson Wallace Gift, 2001

Accession Number

2001.445f

Rights

Public Domain

Tags

BuddhismAvalokiteshvaraBodhisattvas

Art Historical Context

This exquisite folio, titled *The Bodhisattva Avalokitesvara Expounding the Dharma to a Devotee*, comes from an *Ashtasahasrika Prajnaparamita Sutra* manuscript, a foundational Mahayana Buddhist text extolling the "Perfection of Wisdom." Created by the Mahavihara Master in early 12th-century eastern India during the Pala period (8th–12th centuries), it captures Avalokitesvara—the bodhisattva of infinite compassion—teaching a devoted disciple. Produced in the monastic workshops of West Bengal or Bangladesh, such manuscripts were sacred objects, blending scripture with vivid illustrations to inspire devotion and contemplation. Painted in opaque watercolor on a slender palm leaf—a traditional South Asian medium prized for its durability and portability—the tiny image (just 2½ x 1⅞ inches) exemplifies Pala artistry's precision and elegance. Artists layered brilliant mineral pigments for luminous effects, rendering serene figures with elongated bodies, graceful gestures, and intricate jewelry against stylized architectural backdrops. These folios, often bound with wooden covers, were chanted in rituals, making art a bridge between the divine and the everyday. Housed in the Metropolitan Museum of Art's Asian Art Department, this piece highlights the Pala dynasty's golden age of Buddhist patronage, just before the tradition's decline. It invites visitors to marvel at how miniature masterpieces preserved profound teachings across centuries.

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