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The Charcoal Burners

Louis Auguste Lepère

published 1908

The Charcoal Burners by Louis Auguste Lepère

Medium

Wood engraving in black on cream laid Japanese paper

Dimensions

Image: 7.8 × 16.1 cm (3 1/8 × 6 3/8 in.); Sheet: 17.9 × 23.9 cm (7 1/16 × 9 7/16 in.)

Classification

wood engraving

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

124992

Rights

Public Domain

Art Historical Context

**The Charcoal Burners** is a striking wood engraving by French artist Louis Auguste Lepère, in 1908. Lepère (1849–1918), a master of the medium during the Belle Époque, captured everyday rural life with this intimate scene of laborers tending charcoal kilns. Printed in bold black ink on luxurious cream laid Japanese paper—a nod to the era's fascination with Japanese ukiyo-e prints—the measures a compact 7.8 × 16.1 cm, perfect for intimate study or portfolio inclusion. Wood engraving, Lepère's specialty, involved incising fine lines directly into the end-grain of boxwood blocks, allowing for exceptional detail and tonal depth rivaling drawings. This technique flourished in late 19th-century France amid a revival of original printmaking, freeing artists from mere reproductive illustration. The choice of Japanese paper enhances the image's velvety texture and subtle absorbency, highlighting Lepère's precision in rendering smoke, shadows, and textured bark. Housed in the Art Institute of Chicago's Prints and Drawings department, *The Charcoal Burners* reflects early 20th-century romanticism for traditional trades amid industrialization. It invites viewers to ponder the quiet dignity of manual labor, showcasing Lepère's skill in evoking mood through monochrome mastery. A gem for print enthusiasts! (198 words)

About the Artist

Louis Auguste Lepère · 1849–1918

Louis-Auguste Lepère (1849–1918) was born in Paris on November 30 to the sculptor François Lepère, immersing him early in the artistic world. At age thirteen, he apprenticed in the studio of the English wood engraver Joseph Burn-Smeeton, training there from 1862 to 1867, and later attended drawing courses under Horace Lecoq de Boisbaudran at the Petite École (now École nationale supérieure des art...

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