青楼美人合|The Courtesan Kasugano Writing a Letter

青楼美人合|The Courtesan Kasugano Writing a Letter by Suzuki Harunobu

Medium

Woodblock print (Yonkyokuban); ink and color on paper

Dimensions

8 3/8 x 5 3/4 in. (21.3 x 14.6 cm)

Classification

Prints

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Henry L. Phillips Collection, Bequest of Henry L. Phillips, 1939

Accession Number

JP2768

Tags

WritingWomen

Art Historical Context

Suzuki Harunobu's *The Courtesan Kasugano Writing a Letter* (ca. 1765) is a delicate woodblock print from Japan's Edo period (16151868), capturing the elegance of urban life in the "floating world" of pleasure districts. This yonkyokuban format—a compact 8 3/8 x 5 3/4 inches—hints at its original use in illustrated books or albums, making art accessible to a broader audience beyond elites. Harunobu, a pioneer of ukiyo-e, revolutionized printmaking that year by introducing full-color nishiki-e techniques, layering vibrant inks on paper for unprecedented depth and realism. Here, the courtesan K...

About the Artist

Suzuki Harunobu · 17251770

Suzuki Harunobu (c. 1725-1770) was a Japanese ukiyo-e artist who revolutionized woodblock printing by developing nishiki-e—full-color prints using multiple woodblocks—in 1765. Before Harunobu, Japanese prints were limited to two or three colors; his innovation unleashed the entire artist's palette, transforming ukiyo-e into the vibrant art form that would later captivate Western artists from Manet...

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