The Departure from the Coast, or the End of the Farce of Invasion

The Departure from the Coast, or the End of the Farce of Invasion by Thomas Rowlandson|Rudolph Ackermann, London

Medium

Hand-colored etching

Dimensions

Sheet: 11 15/16 × 14 11/16 in. (30.3 × 37.3 cm) Plate: 11 1/4 × 13 9/16 in. (28.5 × 34.5 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

The Elisha Whittelsey Collection, The Elisha Whittelsey Fund, 1959

Accession Number

59.533.932

Tags

Napoleon IPoliticsSatireDonkeys

Art Historical Context

Created in 1805 by renowned British caricaturist Thomasson and published by Rudolph Ackermann in London, *The Departure the Coast, or the of the Farce of Invasion* is a hand-colored that captures the sharp wit of Georgian satire. Measuring about 12 by 15 inches, this print exemplifies the vibrant, affordable medium popular for political commentary, where delicate etching lines were enhanced by hand-applied watercolors to heighten visual punch and appeal to a wide audience. The artwork skewers Napoleon I and his abortive plans to invade Britain during the Napoleonic Wars. Timed just weeks befo...

About the Artist

Thomas Rowlandson|Rudolph Ackermann, London · 17561827

Thomas Rowlandson (1757–1827) was an English artist and caricaturist whose satirical watercolors and prints captured the social life of Georgian Britain with unparalleled wit and technical mastery. Alongside James Gillray, he is recognized as one of the greatest British graphic artists, and his distinctive flowing line and keen observations have made his work integral to understanding late 18th an...

    Send Feedback

    We use this only to reply to your feedback.