Artheon MuseumArtheonMuseum
The Drawing Lesson by Jean Siméon Chardin|Jacques Philippe Le Bas|Jacques Philippe Le Bas

Medium

Etching, engraving; second state

Dimensions

Sheet: 11 1/4 × 12 1/4 in. (28.5 × 31.1 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Harris Brisbane Dick Fund, 1953

Accession Number

53.600.535

Rights

Public Domain

Tags

DrawingSculptureMenArtists

Art Historical Context

The Drawing captures a quiet moment of artistic, rendered as an etching and engraving after an original painting by Jean Siméon Chardin. Created between 1749 and 1783 by Jacques Philippe Le Bas in its second state, this print measures just over eleven by twelve inches and belongs to the Metropolitan Museum of Art’s collection of works on paper. Chardin, a leading French artist of the eighteenth century, was celebrated his sensitive depictions of everyday life rather than grand historical subjects, favoring intimate genre scenes that reveal the dignity of ordinary activities. The composition centers on the act of from a sculptural model, highlighting the educational practices of the period when aspiring artists trained through careful observation and replication. Le Bas’s engraving technique skillfully translates Chardin’s subtle tonal effects and textures into lines that could be widely circulated, allowing viewers beyond elite circles to appreciate the scene. The presence of both teacher and student underscores themes of and skill-building central to Enlightenment-era art education. As a print, the work how reproductive media extended the reach of Chardin’s domestic subjects, blending technical precision with warm human observation. Its modest scale invites close looking, rewarding viewers with details of tools, gestures, and concentration that reflect the patient craft of both drawing and printmaking.

About the Artist

Jean Siméon Chardin|Jacques Philippe Le Bas|Jacques Philippe Le Bas · 1699–1779

Jean-Baptiste-Siméon Chardin, born on November 2, 1699, in Paris to a cabinetmaker father who crafted billiard tables, grew up immersed in the city's artisan world on the Left Bank near Saint-Sulpice. His early training came through apprenticeships with the history painters Pierre-Jacques Cazes, where he honed academic drawing techniques, and Noël-Nicolas Coypel, whose assignment to copy a musket ...

    Send Feedback

    We use this only to reply to your feedback.