The Drunken Man on a Chariot on his Way to Hell, from Hymmelwagen auff dem, wer wol lebt...

The Drunken Man on a Chariot on his Way to Hell, from Hymmelwagen auff dem, wer wol lebt... by Hans Schäufelein|Hans von Leonrodt|Silvan Otmar

Medium

Woodcut

Dimensions

Sheet: 6 1/8 in. × 4 in. (15.6 × 10.2 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Purchase, Anne and Carl Stern Gift, 1959

Accession Number

59.507.157(15)

Tags

HorsesDrunkennessMenChariots

Art Historical Context

In the early 16th century, the vibrant Northern Renaissance in Germany, Hans Schäufe—a gifted woodcutter and pupil of Albrecht Dürer—collaborated with Hans von Leondt and publisher Silvan Otmar to vivid moralistic prints like *The Drunken Man on Chariot on his Way Hell*. Produced in 1517 as part of the series *Hymmel auff dem, wer wolbt...* (Heaven's Chariot the Path of Those Who Live Well this small woodcut (6 1/8 × 4 in.) served as a stark warning against vice, reflecting the era's preoccupation with salvation, sin, and the Reformation's call for moral reform. The scene humorously yet griml...

About the Artist

Hans Schäufelein|Hans von Leonrodt|Silvan Otmar · 14801540

Hans Schäufelein (c. 1480–c. 1540) was a German painter and graphic artist of the Northern Renaissance whose career placed him at the heart of one of the most dynamic artistic environments in European history. As a young man, he entered the workshop of Albrecht Dürer in Nuremberg, an experience that proved decisive: Dürer's meticulous approach to draughtsmanship, his mastery of printmaking, and hi...

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