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The Revenge of Nauplios, after Rosso Fiorentino
ca. 1625–46

The Alliance of Bacchus and Ceres
1610–42

Landscape with a Fallen Tree
1764

The Architect
ca. 1529–57

Crystal Chalice
1864

Landscape
n.d.

Inside Attire of the French Citizen
1794

Self-portrait
1850

Two nude children standing; from New Book of Children
1720–60

South West View of the City of New York in North America
late 18th century

Portrait of Charles Baudelaire, after his own design of 1848
1869

Bust of Las Cases
18th–early 19th century
More by Claude Gillot
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Four Actors in Heroic Costume, with a Study of a Helmeted Head
ca. 1711–22

Design of a Flintlock, Side Plate, Butt Plate, and Trigger Guard, unnumbered plate from Nouveaux Desseins d'Arquebuserie Inventez et Gravez par Le Sr. Gillot
ca. 1715

Plate for The Fish and the Fireworks, Fable Sixteen, in Fables Nouvelles, Dediées au Roy
1719

Habit de Faune: a faun wearing a tonnelet with a flute attached, a cane in his right hand and vines around his horns, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721

Habit d'Ixion: a man wearing a tonnelet with a sword in the belt, a turban with one large feather on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721

Habit de Roy: a man wearing a tonnelet decorated with rosettes, a crown and a turban with feathers on his head, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721

Plate 46: Habit de Folie: a woman in a ballet pose, wearing a bonnet and holding a marotte in her right hand, from 'New designs for costumes' (Nouveaux desseins d'habillements à l'usage des balets operas et comedies)
ca. 1721

The festival of Diana, interrupted by satyrs (Feste de Diane, troublée par des Satyres): nymphs gathered around the bust of Diana in a stone niche at center, surprised by the arrival of satyrs from either side, from 'Les Bacchanales; Quatres Festes'
ca. 1786

Witches' Sabbath, within a nocturnal landscape, a necromancer seated at top center wearing a robe and cap inscribed with Kabbalist symbols, below him to left a horse with the head of a beast, a ring of nude dancers to right, a robed with the head of a pig to left, various witches, sorcerers, strange animals, and monsters on the ground to left in the foreground, from 'The Sabbaths' (Les Sabbats)
ca. 1700–1720

The Birth (La Naissance): in a forest, the new mother resting in a hammock at center, the newborn below her to left, various satyrs and goats surrounding, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720

The Marriage (Le Mariage): in a forest, an old satyr marries the betrothed in center, musicians to right, old satyrs with canes to the left, a couple consulting an old philosopher to left in the foreground, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720

The Funeral (Les Obseques): various satyrs gathered in a clearing, funeral pyre to left, a freshly dug grave and a tomb decorated with satyr heads and antlers in center, upon which musicians are seated, from 'The lives of satyrs' (La vie des satyres)
ca. 1700–1720