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曽我蕭白筆 寿老人図|The God of Good Fortune Jurōjin

曽我蕭白筆 寿老人図|The God of Good Fortune Jurōjin by Soga Shōhaku

Medium

Hanging scroll; ink and color on paper

Dimensions

Image: 52 3/4 x 22 5/16 in. (134 x 56.7 cm) Overall with mounting: 81 1/2 x 28 1/2 in. (207 x 72.4 cm) Overall with knobs: 81 1/2 x 30 3/4 in. (207 x 78.1 cm)

Classification

Paintings

Culture & Period

Japan · Edo period (1615–1868)

Department

Asian Art

Museum

Metropolitan Museum of Art, New York, NY

Credit

Fishbein-Bender Collection, Gift of T. Richard Fishbein and Estelle P. Bender, 2011

Accession Number

2011.572.1

Rights

Public Domain

Tags

CranesDeerTurtlesBoats

Art Historical Context

In the vibrant Edo period (1615–1868), Japanese artist Soga Shōhaku (1739–1781) created this striking hanging scroll, *The God of Good Fortune Jurōjin* (ca. 1773). Shōhaku, renowned for his eccentric and dynamic style blending ukiyo-e woodblock influences with bold, expressive brushwork, depicted Jurōjin—one of the beloved Seven Lucky Gods (Shifukujin)—as a symbol of longevity and wisdom. Often shown with a tall forehead and staff, Jurōjin here shares the scene with auspicious companions: cranes for long life, deer for prosperity, turtles for endurance, and perhaps a boat evoking safe journeys, all rendered in vivid ink and color on paper. Hanging scrolls like this were prized in Japanese homes and temples, unrolled for special occasions to invoke blessings. Shōhaku's technique stands out for its vigorous lines and imaginative composition, departing from refined courtly traditions to embrace a wild, almost otherworldly energy that captivated Edo audiences. This work exemplifies his mastery in capturing the divine with dramatic flair. Now in the Metropolitan Museum of Art's Asian Art collection (gift of the Fishbein-Bender Collection, 2011), *Jurōjin* invites visitors to ponder Japan's rich folklore, where art and spirituality intertwined to wish health and fortune upon all.

About the Artist

Soga Shōhaku · 1730–1781

Japanese, 1730–1781

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