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The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering Venice
1720–30
Tight Lacing or Hold Fast Behind
March 1, 1777
Lady Godina's Rout:–or– Peeping-Tom spying out Pope Joan, vide Fashionable Modesty
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An Evening Party
February 3, 1826
Shipton Moyne, The Seat of Walter Estcourt, Esq., plate 340 from "The Ancient and Present State of Gloucestershire"
[1712] reissued 1768
A Perspective View of the City Hall in New York, Taken from Wall Street
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Les Jongleurs Indiens
1817
The Pic-Nic Orchestra
April 23, 1802
A Counselor's Opinion After He Had Retired From Practice – The Legal Consultation
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The Destruction of the Royal Statue at New York on July 9, 1776
after July 1776
Rosalind, Oliver and Celia (Shakespeare, As You Like It, Act 4, Scene 6)
1791
Courly à tête nu, du Cap de bonne Esperance (Bald Ibis from the Cape of Good Hope), from "Histoire Naturelle de Oiseaux"
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More by Luca Carlevaris
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The highly ornamented first gondola of Ambassador Giovanni Battista Colloreado entering Venice
1720–30
A Dignitary Holding a Document
ca. 1722–42
The Molo, Venice, Looking West
ca. 1709
Piazza San Marco, Venice
ca. 1709
The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio
ca. 1709
The Molo, Venice, from the Bacino di San Marco
ca. 1709
Plate 37: Side view of the school of St. Roch at left and view of facade of the church of St. Roch, Venice, 1703 from the series 'The buildings and views of Venice' (Le fabriche e vedute di Venezia)
1703
Plate 96: View of the facade of the Pisani Palace in Campo Santo Stefano, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
1703
Plate 14: View of the facade of St. Moses church, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
1703
Plate 38: View of the facade of the church of St. Roch and at left the facade of the School of St. Roch, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
1703
Plate 61: View of the customs house (Dogana da Mar) at the confluence of the Grand Canal and Giudecca Canal, Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
1703
Plate 63: View of the gate of the shipyard and armory complex (Arsenale), Venice, 1703, from "The buildings and views of Venice" (Le fabriche e vedute di Venezia)
1703