The Lover Heard
Medium
Stipple and wash manner, printed in orange-red, blue, yellow, and black inks
Dimensions
Sheet (trimmed): 10 1/4 × 8 3/8 in. (26 × 21.2 cm)
Classification
Prints
Department
Drawings and Prints
Museum
Metropolitan Museum of Art, New York, NY
Credit
Bequest of Ella Morris de Peyster, 1957
Accession Number
58.560.2
Rights
Public Domain
Tags
Art Historical Context
*The Lover Heard* (ca. 1785) is a charming color print created by French engraver Louis Marin Bonnet a design by painter Jean Frédéric Schall. on the cusp of the French Revolution, it captures the playful, amorous spirit of late Rococo art, where scenes of flirtation and romance were immensely popular among the aristocracy. The title evokes a tender moment between lovers—likely a man and woman in intimate conversation—hinted at by tags referencing sculpture, men, women, and lovers, suggesting a sculptural or elegantly posed tableau that adds a classical touch to the erotic whimsy. Bonnet's mastery shines in the innovative medium of stipple and wash manner engraving, printed in vibrant orange-red, blue, yellow, and black inks. Stipple technique uses fine dots to build soft tones and textures, mimicking the delicate effects of watercolor or pastel, while the multi-color printing was a technical marvel of the era, allowing for lifelike hues without hand-coloring. This method made such prints affordable luxury items, bridging fine art and popular culture. Housed in the Metropolitan Museum of Art's Drawings and Prints department, this work exemplifies 18th-century French printmaking's elegance and sensuality, offering visitors a glimpse into the refined pleasures of pre-Revolutionary Paris.
About the Artist
Louis Marin Bonnet|Jean Frédéric Schall · 1736–1793
Comment on works: Copper engraver