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The Old Market at Fecamp

The Old Market at Fecamp by Jules-Ferdinand Jacquemart

Medium

Etching

Dimensions

Sheet: 16 5/8 × 12 5/8 in. (42.3 × 32 cm) Plate: 11 1/4 × 7 7/8 in. (28.5 × 20 cm)

Classification

Prints

Department

Drawings and Prints

Museum

Metropolitan Museum of Art, New York, NY

Credit

Gift of The Carnegie Corporation of New York, 1930

Accession Number

63.704.8

Rights

Public Domain

Art Historical Context

Step into the vibrant bustle of 19th-century Normandy with *The Old Market at Fecamp*, an exquisite etching by French artist Jules-Ferdinand Jacquemart, created around 1865. Jacquemart, a master etcher celebrated for his intricate depictions of everyday French life and architecture, captures the lively energy of this coastal town's historic market. The scene likely teems with vendors, shoppers, and the architectural charm of Fecamp, offering a window into the social fabric of Second Empire France, where markets were the heart of community commerce. Rendered in etching—a precise intaglio technique where acid etches fine lines into a metal plate—Jacquemart's work showcases the medium's power for rich tonal depth and meticulous detail. Measuring 11¼ × 7⅞ inches on the plate, this print exemplifies the 19th-century etching revival in France, prized for its ability to reproduce atmospheric scenes with painterly subtlety. Today, it resides in the Metropolitan Museum of Art's Drawings and Prints department, a gift from The Carnegie Corporation of New York in 1930, highlighting its enduring appeal as both art and historical document. This piece invites visitors to savor the textures of daily life preserved in ink, bridging art and lived history.

About the Artist

Jules-Ferdinand Jacquemart · 1837–1880

**Jules-Ferdinand Jacquemart: Master Etcher and Watercolorist** Jules-Ferdinand Jacquemart was born on September 7, 1837, in Paris to Albert Jacquemart, a prominent art collector, ceramics historian, and amateur artist, and Louise Émilie Labbé. The third of four children, he received his initial training in etching from his father, who had no formal master himself and emphasized self-taught preci...

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