The Prodigal Son Returned to His Father
n.d.
Medium
Hand-colored engraving on paper
Dimensions
Image: 32.3 × 24.7 cm (12 3/4 × 9 3/4 in.); Sheet, cut within platemark: 35.5 × 25.5 cm (14 × 10 1/16 in.)
Classification
wood engraving
Department
Prints and Drawings
Museum
Art Institute of Chicago
Accession Number
15075
Rights
Public Domain
Art Historical Context
In this hand-colored engraving, a father in a blue coat and red waistcoat stands in a garden, reaching out to embrace his kneeling son, who looks up with an expression of relief and submission. The son’s worn blue jacket and the discarded hat at his feet suggest his recent hardships, while two women stand nearby, one in yellow and the other in white, their clasped hands conveying quiet emotion. A large house, flowering rose bushes, and an ornate urn fill the background, all rendered with clear lines and soft, applied colors that bring warmth to the outdoor setting. Amos Doolittle created this print titled The Prodigal Son Returned to His Father as a moral illustration drawn from the biblical parable. Working in the medium of hand-colored engraving on paper, Doolittle produced clear, accessible images that circulated widely in early America. The work captures the story’s central moment of forgiveness and reconciliation, inviting viewers to reflect on themes of repentance and acceptance that resonated in both religious and domestic contexts of the period.