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The Prodigal Son Returned to His Father

The Prodigal Son Returned to His Father by Amos Doolittle

Medium

Hand-colored engraving on paper

Dimensions

Image: 32.3 × 24.7 cm (12 3/4 × 9 3/4 in.); Sheet, cut within platemark: 35.5 × 25.5 cm (14 × 10 1/16 in.)

Classification

wood engraving

Department

Prints and Drawings

Museum

Art Institute of Chicago

Accession Number

15075

Rights

Public Domain

Art Historical Context

In this hand-colored engraving, a father in a blue coat and red waistcoat stands in a garden, reaching out to embrace his kneeling son, who looks up with an expression of relief and submission. The son’s worn blue jacket and the discarded hat at his feet suggest his recent hardships, while two women stand nearby, one in yellow and the other in white, their clasped hands conveying quiet emotion. A large house, flowering rose bushes, and an ornate urn fill the background, all rendered with clear lines and soft, applied colors that bring warmth to the outdoor setting. Amos Doolittle created this print titled The Prodigal Son Returned to His Father as a moral illustration drawn from the biblical parable. Working in the medium of hand-colored engraving on paper, Doolittle produced clear, accessible images that circulated widely in early America. The work captures the story’s central moment of forgiveness and reconciliation, inviting viewers to reflect on themes of repentance and acceptance that resonated in both religious and domestic contexts of the period.

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