Related Artworks
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Greenwich Hospital (recto); Study of a Building (verso)
1820s
Street Scene from Vanity Fair, with Amelia, George Osborne and Dobbin (recto); Sketch of Young Woman (verso)
1800–1819
Bathers Under a Bridge (recto); Study after Houdon's Ecorché (verso)
1894–98 (verso); 1900–06 (recto)
Wrought Iron Gate Design (recto), Sketches for Bracket (verso)
1870–1900
Study of Clouds (recto); Study of an Elder Bush by a Fence (verso)
1820–45
Bathers (recto); Still Life (verso)
ca. 1890 (recto) – 1900 (verso)
Interior of a Museum
19th century
Kitchen Staff (recto); Mountainous Landscape with Hiker (verso)
1837–64
Foggy Landscape in the Apennine; verso: Sketch of Landscape
early 19th-mid-19th century
The Fountain of the Académie de France in Rome (recto); The Gate of San Giovanni in Rome and a lakeside village (verso)
19th century
Study for "A charm for democracy, reviewed, analyzed, and destroyed January 1, 1799" (recto and verso)
1799
East End of Tunstall Church (recto and verso)
19th century
More by Richard Parkes Bonington
Explore other works by this artist
Self-portrait of Richard Parkes Bonington
1847
Portrait of a Young Man (recto); Sketch of a Venus (verso)
1820–23
Shipping in a Swell
1824–27
View near Rouen
ca. 1825
Roadside Halt
1826
Vallée de Glenfinlas (Glenfinlas Valley)
1826
Promenade vénitienne (Venetian Promenade)
1863
Half-length Portrait of a Bearded Man in Historical Dress
1818–28
Quentin Durward and the Disguised Louis XI (recto); Study of male figure (verso)
1825–26
Anne Page and Slender (Shakespeare's Merry Wives of Windsor, Act 1, Scene 1)
1829
Man and Woman in a Landscape (Faust and Marguerite)
ca. 1826–27
View of Rouen from St. Catherine’s Hill
1821–22