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Christ, seated at right, and the woman of Samaria, who stands at left
ca. 1729
Heads after the Ecce Homo
1720–78
Meleager and Atalanta
ca. 1643
Winter (L'Hyver)
1740–60
Tea
ca. 1738–45
Book 2, Fable 20: Minos and death (Minos et la mort)
1719
Le Moineau Apprivoisé (The Tame Sparrow)
18th century
A Gathering of Artists
1804
Soliman. 3e Acte (Soliman. 3rd Act), from Soliman
1620
Portrait of Jacques Pernetti
n.d.
L'Arivée du Courier (The Arrival of the Messenger)
18th century
Louis XIII Listens to the Provost of the Merchants of Paris on December 23, 1628
1629
More by Louis Desplaces
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Astyanax taken from Andromache
1700–39
Hercules bringing Alcestis back to her husband Admetus
1715
Bold satire in the depths of the forest (Satire audacieux, dans le fond des forets)
1714–39
The dry and forbidding education given by a prude (Education seche et rebutante donnée par un prude)
1700–39
The sweet and insinuating education given by a saint (Education douce et insinuante donnée par une Sainte)
1700–39
Blacksmith Cupids
1714–39
Saint Clare, seated in the clouds among angels, a dragon below
ca. 1729
A statue of Marcus Curtius on horseback
1729–40
Winter
early to mid-18th century
Figures françoises et comiques nouvellement inventées par M. Watteau; Figures de modes dessinées et gravées à l'eau forte par Watteau; a terminées au buin par Thomassin le fils
1710?–?1720
Diana at the Bath
Painting (La Peinture): a monkey seated at an easel, dressed in a robe and beret and holding a painter's palette, a framed painting hanging on the wall beyond
ca. 1700–1739